唔好咁多黐線佬啦
2020-4-2 18:48:17
Pure photography — X-Pro3
:^(
https://youtu.be/9SJyX72gwzM
We are all pieces of a big puzzle but we are not all the same.
X-Pro3 11月尾正式發售 暫時只有黑色
DR Black同 DR Silver 要明年年初先有貨
Sub-monitor
:^(
節錄於官方product planner 嘅心路歷程:
The reason we do this is to discover universals, to identify the things that don’t change no matter how much features and technology may advance.
If you want to understand how you normally take pictures, how cameras handle in ways that make you happy, and why cameras excite you in the first place, then simple, classic cameras make excellent subjects for study.
The original idea was to reconsider what information a photographer needs from the camera for worry-free photography.
The X Series is designed so that shooting settings can be viewed simply by glancing at the top of the camera, without turning the camera on.
And yet, one piece of information is still missing: the number of exposures remaining.
佢地嘗試將TX-1嘅film counter放埋落x-pro3,但始終唔夠位
一星期後,有位LCD display嘅developer拎著一塊彩色方型LCD display
A vision appeared to the product planners the moment they saw it. We were fortunate that the GUI designers were there too. By the next day they had it hooked up to the test platform with a film package showing in its 128 × 128 dot display.
That’s right—a film counter was not enough. How excited photographers used to be to know the kind of film they were using! Just the knowledge that you were shooting using high-end reversal film was a thrill, and you hoped the person next to you would notice.
原文:https://fujifilm-x.com/en-us/stories/x-pro3-stories-1-sub-lcd/
Film simulation
:^(
CLASSIC Neg -- modeled on SUPERIA film
designed for slightly higher contrast in order to add depth to scenes with flat lighting
The key to “SUPERIA-like” color reproduction can be found by examining its greens, blues, and skin-tones. “CLASSIC Neg.” similarly achieves maximum expression when slightly over-exposed. These indeed are the colors of the negative film photographs we took in the days of our innocence, colors that are evocative without being old-fashioned.
究竟點解機背唔放display
Was what we were asking of them really so painful? But these were professional photographers, and their opinions indicated that we might have to prepare for a certain level of resistance.
Where was the excitement we felt before smartphones—actually, make that before digital cameras—when photography was more of a specialized pursuit? Why was it that in those days we would feel a thrill without even pressing the shutter button? https://fujifilm-x.com/en-us/stories/x-pro3-stories-4-love-of-photography/
AF system
At low light levels, pixels with color filters—the pixels used for imaging—function in their normal role, while the phase-detection pixels, which lack color filters, operate in a different sequence to maximize exposure time to produce a sufficiently strong signal even under low light. https://fujifilm-x.com/en-us/stories/x-pro3-stories-5-over-the-top/
想係xpro2/xt2 都用到Fuji新增嘅Classic negative film simulation
有網站提供咗個setting
HERE IS HOW TO ACHIEVE THIS LOOK
1. Go in Image Quality (I.Q.) menu.
2. Select 400% dynamic range.
3. Select Classic Chrome film simulation;
4. Grain Effect at strong, just for the heck of it (to keep the “pure photography experience”;
5. White balance: Auto, R: -2 B: +4
6. Highlight tone to 0;
7. Shadows tone to +0 (or -1 for the EXACT look, but I find it boring, so spice it up with +2)
8. Color to -1
9. Sharpness to -4
10. Noise Reduction to -4
11. Lens modulation optimizer OFF
R: Lens with a dedicated aperture ring
LM: Linear motor for autofocus and manual focus
OIS: Optical image stabilization
EBC: Electron beam coating--designed to increase light transmittance and counteract flare and ghosting
WR: Weather Resistant
ALG: All-Group--moving all of the optical elements within the lens
ED: Extra-low Dispersion (for lens quality)
ASP/AS: contain at least one Aspherical lens element
For more details: http://shuttermuse.com/fuji-lens-terminology-abbreviations/
富士計算exposure value (EV) 嘅方法
In calculating EV, we define 0 EV as the exposure achieved in 1 second (1″) at ISO 100 with an aperture of F1.
−1 EV = ISO 200, F1, 1″
−2 EV = ISO 400, F1, 1″
−3 EV = ISO 800, F1, 1″
The above is the specification for the X-T3, and is already a perfectly adequate level of performance, allowing snapshots to be taken at night without difficulty. Nevertheless, let’s try continuing the sequence:
−4 EV = ISO 1600, F1, 1″
−5 EV = ISO 3200, F1, 1″
So, −6 EV = ISO 6400, F1, 1″
https://www.fujirumors.com/new-firmware-for-fujifilm-x-t3-x-t30-and-xf-16-80mm-f-4-released/
Profoto A1X 依家同富士相機相容
https://fujifilm-x.com/global/global-news/2019/1204_3236420/
https://youtu.be/qNp-YaFbssM
執相軟件 Capture One 20 亦相容富士相機
https://fujifilm-x.com/global/global-news/2019/1204_3236365/
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Fujifilm Studio - 可以試機試鏡
Shop 1013, 10/F, Windsor House, Causeway Bay, Hong Kong
https://goo.gl/maps/hzQUwft93xt
韌體更新
http://www.fujifilm.com/support/digital_cameras/software/fw_table.html
不同lens的 sample 相,可參考:
http://photohito.com/lens/brands/fujifilm/
http://photo.yodobashi.com/fujifilm/
XF Lens Roadmap
http://www.fujifilm.com/products/digital_cameras/xf_lens/roadmap/index.html
G Mount Lens Roadmap
http://www.fujifilm.com/products/digital_cameras/gfx/roadmap/index.html
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